Wolfs
In “Wolfs,” George Clooney and Brad Pitt play rival underworld ‘fixers’ who must reluctantly work together to clean up a crime scene at a posh New York City hotel. This buddy-action dramedy was originally supposed to have a major theatrical release but plans obviously changed.
Written and directed by Jon Watts (“Spider-Man: No Way Home”), it’s certainly not a thriller and not exactly a comedy, although Clooney and Pitt obviously find it somewhat amusing.
Like most police procedurals, the plot begins with a body sprawled on the floor surrounded by blobs of blood. A local district attorney (Amy Ryan) booked a hotel room to frolic with a younger man who may or may not have been a prostitute. Somehow he fell off the bed, cracked his head on a glass table and, apparently, died.
Desperate, she finds a number on her iPhone and when it’s answered says, “I was told if I ever need serious help to call this number,” adding, “There is only one man in the city who can do what you do.”
Soon a discreet ‘fixer’ (Clooney) arrives on the scene and gets to work with garbage bags and duct tape. He’s interrupted by the arrival of another ‘fixer’ (Pitt) summoned by the proprietor worried that scandal could taint the hotel’s reputation.
These two unnamed ‘fixers’ eye each other suspiciously, bickering and bantering before actually removing the body and attempting to dispose of it, along with a stash of drugs tucked in a backpack behind a sofa.
Complications mount as the supposed corpse revives. He’s a curious kid (Austin Abrams) who may or may not have been involved with an Albanian cartel. Lacking a cohesive plot, there are too many chases, including a tediously tiresome one that begins in neon-lit Chinatown and ends near the Brooklyn Bridge.
The New York Times reported that Clooney and Pitt banked $35 million each for their participation but Clooney dismissed that figure at a Venice Film Festival press conference, although the Times sticks by its reporting.
On the Granger Gauge of 1 to 10, “Wolfs” is a frustrating, forgettable 5, streaming on Apple TV+.
Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at M.G.M. and Columbia Pictures. Her adoptive father, Armand Deutsch, produced movies at M.G.M.
As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O’Brien, and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism.
During her adult life, Susan has been on radio and stelevision as an anchorwoman and movie and drama critic, syndicating her reviews and articles around the world, including Video Librarian. She has appeared on American Movie Classics and Turner Classic Movies. In 2017, her book 150 Timeless Movies was published by Hannacroix Creek Books. Her website is www.susangranger.com.